The older I get, the quicker time passes, and it’s quite unbelievable to think that it’s been over twenty-three years since I first went to an informational meeting to began doing a radio program on KCSB. I started as a trainee on the closed-circuit AM station in 1994, moved up to an on-air program on the FM-broadcast station and also worked as the publications director in 1995, and was then elected general manager of the station in 1996. Having peaked early in life, I began my steady decline including being less involved with the radio station. After 1997, I remained an active volunteer and still did my radio show, Die Social Misfit, but I ultimately left the station around 1999. I passed on the tape archives of my last program to a friend. I don’t know if she still has them.
A lot has changed in the twenty-or-so years since I left KCSB. In the 2014 KCSB video made Film and Media 103 students, I noticed that some visible changes that have occurred over the years. Some things I noticed include:
- a new mixing console in the FM control room, although it looks like the same microphones we had in my day.
- a new computer system that probably does more than just play electronic CARTs, which was why we installed computers in the control rooms in the first place.
- a new title for the internal music director, who is now called the “Librarian.”
- a newish KCSB advisor named Marta Ulvaeus. I guess she was around before Ted Coe took the reigns.
- new paint and new stickers on the walls.
I last visited in 2008, when the Console-ing Passions TV studies conference was held at UCSB, so it’s possible that many of these “new” improvements are themselves over a decade old.
Yet, there are somethings that remain unchanged. In the video, KJUC manager Madeline Kardos references how she spends downtime at the radio station. I did the same. As a young adult, I gravitated towards the radio station offices after I finished classes and after I finished working. It was a great gathering place for other people, and I found a nurturing community there. It was also, in an age before smartphones, a place to read and write emails. I’m sure there are tons of places like that on every college campus, and I’m glad that KCSB was there for me during those years.
Another thing that appears unchanged about KCSB is its commitment to diversity and eclecticism. Cutting my teeth at KCSB was a blessing for me because it made me curious about what else there might be out there: be it for music, TV shows, films, etc. It is important not only for the young people who do programs at the station but also for listeners in a rapidly gentrifying and homogenizing Santa Barbara–area.
Finally, another thing about KCSB hasn’t changed is the phone number for the request line. There’s something musical about “893-2424,” and anyone who had a radio program will have recited that phone number hundreds, if not thousands, of times.