Tagged: KCSB

Die, Social Misfit!!! A Merry Christmas Xmix Playlist

Listen to Die, Social Misfit!!! A Merry Christmas Xmix playlist on Apple Music

Twenty years ago, literally the lifetime of a current college sophomore, I began hosting a college radio music show called Die, Social Misfit!!! on KCSB-FM, 91.9, in Santa Barbara. I used to play a lot of garage rock, surf, and the occasional exotica, all of which were popular genres among the hipsters of the time because of multiple revival movements concentrated on the US west coast. A friend from the east coast refers to that music today it as “budget rock.”

Die, Social Misfit!!! was my third attempt at doing a radio show, and it sort of mirrored my experience as a college student. The first two radio programs were, quite frankly, pretty bad, and I don’t want to describe them in detail out of pure shame. Suffice to say that those programs were series of ugly messes, not unlike the many essays I wrote for my freshman (and sophomore!) composition courses. In the case of essay writing, it really wasn’t until my junior year of college where I felt that finally “got it.” I learned how to research and use sources, how to structure an essay, how to write a compelling thesis, and how to develop a voice that would need only further refining in graduate school. (Who knew topic sentences were still a thing?!?) The same was true for the radio show, and it was around 1997 that I developed Die Social Misfit!!!. The entire program, while not necessarily a themed show, had one central idea behind it: what my friends and I would describe as “rawk!” The show aired on Friday afternoons, between 3:00 to 5:00 PM. I used to imagine countless workers listening to KCSB throughout the week, breathlessly anticipating my program as it signaled the last two hours of their workweek. I wanted to rawk them out of their chair come quitting time.

Late December is an exciting time because it signals the Christmas season, the end of the year, and also the end of the semester. As I grade scores of undergradaute student essays, I think of my poor students and how many of them still haven’t “gotten it.” Many essays aren’t worth the paper they didn’t bother using to print them. (I accept only electronic submissions.) But I also think of my old radio show. I never did a proper Christmas themed show, but over the years, I’ve maintained an iTunes playlist of Christmas songs that I would have played on Die, Social Misfit!!! had I not been a cynical twenty year-old at the time thinking that Christmas was lame. Christmas isn’t lame! Being a cynical twenty year-old, however, is lame.

Twenty years too late, I present you the Die, Social Misfit!!! A Merry Christmas Xmix playlist on Apple Music.

A lot of the songs are rocked out versions of old favorites, such as The Humpers doing “Run Run Rudolph.” The Mexican-American Elvis impersonator, El Vez, adds a little color to old favorite with “Brown Christmas.” There are also some Christmas-themed songs that are, as far as I know, not at all versions of traditional favorites, such as Lillian Briggs’s “Rock ‘N’ Roll Polly Santa Claus.” But there are some songs that I’m sure you’ll recognize but likely never heard like this. For example, the New Bomb Turks does a cover of U2’s “Christmas (Baby Please Come Home)” at a such a breakneck pace that, according to legend, it blew The Edge’s hat off his head when he first heard it. And speaking of meta covers, you can hear The Ventures playing a version of “Sleigh Ride,” and Los Straitjackets doing an almost note-for-note cover of that Ventures cover. And, of course, I even included the Phil Spector Christmas album because even though he pulled a gun out on the Ramones and shot a woman dead, I really like that album.

Forgive for the songs that appear more than once.

I know that all college sophomores today prefer to share their music mixes on Spotify or YouTube, but since I have had this playlist in iTunes for over a decade, it was really easy to make it public with a couple of clicks. Also, because I’ve been adding to it for myself over the years, I never bothered to curate a proper order. Instead, I just shuffle play it whenever the mood strikes for rawkin’ Christmas music. You should shuffle play it too.

Merry Christmas, everyone!

The Jobs Americans Do

Take some of the abundant leisure time that our post-industrial society has afforded you to read a series of nine portraits of working-class men and women in America, published last week in the New York Times Magazine. The article challenges the image of working-class jobs, which today are no longer in manufacturing as they were throughout most of the industrialized twentieth century.

The decline of the old working class has meant both an economic triumph for the nation and a personal tribulation for many of the workers. Technological progress has made American farms and factories more productive than ever, creating great wealth and cutting the cost of food and most other products. But the work no longer requires large numbers of workers.

But it’s not as if there are not any jobs. As we’ve known for decades, the working-class jobs of today are in services: health-care, education, hospitality, transportation, and customer service. Not only have the jobs changed, but they faces so have the faces of the American worker. “The emerging face of the American working class is,” as Binyamin Appelbaum succinctly summarized in the introduction to the article, “a Hispanic woman who has never set foot on a factory floor.”

A different author writes each of the stories. On a personal note, I was thrilled to see that a college chum and fellow KCSB alumnus, Eric Steuer, penned one of the stories, about a customer service representative at Zappos in Las Vegas named Sandi Dolan.

Exam Copies Done Right

Despite being an unaccomplished and underachieving scholar, I still receive a fair-share of examination copies of academic trade books and textbooks. These are books that publishers provide for free for a “trial period.” Usually, the publisher doesn’t specify the length of the trial period so they are effectively free books, if not explicitly so. However, some publishers have explicitly requested that I ship the book back to them or else I will receive a bill for the book, albeit with an “industry” discount of 20% or so.

Publishers provide these books because they hope that I will adopt them for a course and require my students to purchase them. When I worked at UCSB’s college radio station in the mid-1990s, record companies would similarly provide free CDs for the music and programming directors in hopes that they would play the recordings on-the-air and, consequently, promote sales of the recording.

It seems like a great way to promote a book or a recording, but since everyone does it, the examination/promotional copies often become clutter. My music director used to give me a bunch of CDs that he knew I would like, and I have a pile of under-examined—or entirely unexamined—books on my desk.

Examination Copies that have gone unexamined

Examination Copies that have gone unexamined.

Done Wrong

In the academic world, the examination copies of books arrive in one of two ways:

  1. The publisher sends a print copy. They have done so for as long as I’ve been in the game. Although it’s not as many as it used to be, some occasionally arrive by expedited couriers, such as UPS and FedEx. I always thought that to be a huge waste of resources. Haven’t book publishers heard of media mail? The post office basically invented the service just for them. Also, this is a book, not a newspaper or a timely document. There’s no way that an extra day or two will “spoil” the content.
  2. The publisher provides an ebook.

The ebook makes a lot of sense for examination copies. It costs the publisher next to nothing to supply a bunch of interested readers the book. Moreover, it gets to the reader quicker than sending it by expedited courier. And, again, it costs a lot less.

However, most publishers are utterly terrified of unauthorized reproductions. They’re so frightened about it, in fact, that they burden the ebook with DRM that makes the book unreadable. The most common way they do this is by requiring you to use something like Adobe Digital Editions to read the book. That platform, and others like it, basically render the book and its words, into images of the book pages. In effect, you’re not reading, you’re looking at photographs of text. This makes it almost impossible for reading on small-screen devices, such a smartphone, because you can’t resize the text; you can only resize the page. No wonder phones are getting bigger and bigger.

Not only that, you can’t highlight text—only parts of the page. You can’t look up words by tapping or clicking on them because the computer doesn’t see text—it sees images. And, if you want to read somewhere without an Internet connect, such as a subway train or an airplane, you won’t because you can’t print pages or cache the entire book on your device. Bleh!

I don’t know how recording companies handle promotional copies, or whether they even provide them at all anymore. I would think that since the advent of the Internet, iTunes, and other streaming music services, they would provide radio stations with a digital file or some type. On the other hand, I wouldn’t be a bit surprised if they still shipped plastic disks via Pony Express. But let’s say for argument’s sake that, in the intervening twenty years since I worked at KCSB, the record companies started sending programming and music directors promotional MP3s. If these recording companies followed the footsteps of the book publishers, their digital offerings would be as follows:

The music director would be instructed to download a proprietary listening application specific for that recording company’s group. I suppose that’s one good thing about only three recording groups—Warner Music, Sony, and BMG—existing today. She would then download a version for each of her devices: i.e, personal computer, work computer, smartphone, and iPod-like music player (they *still* exist). The sound quality would be reduced through downsampling, resembling something like FM radio: serviceable, but certainly not optimal. The music could only be heard with a live Internet connection: go into an elevator, and you’re listening to the elevator music in the elevator. And lastly, as a final insult, the app would not allow you to change the volume.

Done Right

Earlier today, the University of California Press offered an examination copy of Precarious Creativity: Global Media, Local Labor, edited by two UCSB scholars: Michael Curtin and Kevin Samson. When I saw that I could download an ebook, I was expecting to see the book in Adobe Digital Editions or something similar crappy. Instead, I saw that I could download an EPUB, a PDF, or a MOBI file. Each of these work with different readers, such as Kindle, iBooks, and many other open source applications.

Download Precarious Creativity

I was further pleased to see the book was not crippled by cumbersome DRM and that it was the entire book for me to examine. Thanks!

epub of Precarious Creativity

This is definitely the way to go, and even if I don’t adopt it, the book will not be abandoned on my desk. And it didn’t cost the publisher anything to send it.

Sex and Broadcasting: A Documentary about WFMU

Today, November 15, Sex and Broadcasting, a documentary about freeform radio station, WFMU, premieres as part of the DOCNYC film festival. The documentary profiles this extraordinary radio station, located in Jersey City, New Jersey, and also streaming worldwide on Internet, and its struggles to stay afloat in the aftermath of the Great Recession.

I would call it a unique project except that two friends of mine were working on a documentary about KCSB-FM, the Santa Barbara, California radio station where I volunteered, hosted a few radio shows, and even worked as the general manager back in the go-go nineties. Without the slightest bit of exaggeration, KCSB has a lot with making me who I am today.

The documentary project stalled out a few years ago, but on a hard drive somewhere, there exists footage of a lengthy interview I gave as part of that project. I should probably see if I can get that footage just to have it.

Sex and Broadcasting: A Documentary about WFMU

  • November 15, 2014
  • 5:00 PM
  • IFC Center
  • $15.00
  • Buy Tickets
  • November 15, 2014
  • 3:15 PM
  • IFC Center
  • $15.00
  • Buy Tickets
  • November 20, 2014
  • 9:45 PM
  • SVA Theater
  • $15.00
  • Buy Tickets